Dialogue:
Comparison:
The contemporary piece of fiction I decided to compare my real life dialogue to is Denis Johnson’s “Emergency.” I think it’s a really fascinating piece for dialogue comparison because the dialogue feels very real and organic, but the entire story is so off the wall – the main characters are on drugs – but the dialogue only adds to that effect without being overt.
Sami: I finished my book.
Elizabeth: yay!
Sami: I really liked it. I liked the one about the funeral.
She was like “there will be an acapella group at my funeral”
E: Uh huh uh huh
S: and she was like “don’t let them sing!”
E: Don’t let them, no.
S: It was really funny.
….
E: Where is Katherine?
S: She could be in her room for all I know. (her room is
very messy)
E&S: Hahaha.
A: (singing) let it go, let it go
E: The last snap I got from her was with her and John.
S: How is John? Do you know what happened?
E: I mean, I think he’s fine but I don’t know what happened.
All: Katherine! John!
John: How’s it goin’, guys?
E: I think that’s what we should be asking you!
…
E: Where did you get all of this stuff?
K: Naruto?
J: Fuji.
Katherine: Yeah, Fuji.
K: Who made cookies?!
E: Hannah and her Project Uplift kid.
S: And the koala.
…
E: and this random girl was snapchatting me from Hannah’s
phone saying ‘I love you’ and ‘hi’ and it was really weird.
S: when she came in she didn’t even say anything!
E: yeah it was really weird.
…
S: She talked about labs. How cocolor is determined by A
& B
K: wait, so did she say…
S: Yeah
K: I usually just say ‘multiple alleles
S: I feel like that’s the only thing she’ll ask about
multiple alleles
K: so why is that multiple alleles?
S: I don’t know… because it’s A & B.
K: well… shouldn’t everything be multiple alleles… she
doesn’t tell us anything!
…
K: Am I taking you back or am I driving?
J: I’m gonna need you to repeat both of those statements
slower
K: am I taking you back or are you driving my car?
J: I’ll drive… my car.
(I was found out)
…
S: Hey Alex! You know that fungus test?
Alex: yeah?
S: I got all of them right!
A: Wow, really?
K: You’re perfect!
J: I’ll build you a case.
K: wait, what?
J: I’ll build you a case… for your headphones.
K: oh!
A: let it go… let it go…
…
J: oh I knew that girl!
E: oh yeah?
J: she was on a triathalon team and lived on my hall and
seemed pretty nice
E: oh…
J: but at the same time she was really stauchy and obnoxious
E: wait, what?
J: she would come out in the hall when we were talking at
midnight and be like “uhm can you please be quiet some people are trying to
sleep”
A: what time is it? In my mind it’s between 4 and midnight
E: it’s 9:30
All: laughs
A: It’s just hard because I don’t have a phone
Eric: 4 and midnight… that’s a big gap.
A: should I get up at—
J: Kat.
S: Kat
E: Kat
J: Kat
S&E: KAT
K: are you guys talking to me?
S: John’s calling you
J: Kat, don’t let me forget my water bottle tomorrow
K: Oh, okay.
Comparison:
The contemporary piece of fiction I decided to compare my real life dialogue to is Denis Johnson’s “Emergency.” I think it’s a really fascinating piece for dialogue comparison because the dialogue feels very real and organic, but the entire story is so off the wall – the main characters are on drugs – but the dialogue only adds to that effect without being overt.
One thing that I notice that is
similar to the dialogue I transcribed is that both repeat words.
For instance, in “Emergency,” there
is a line that says, “Take them, take them. I gotta drive, take them.”
In my transcribed dialogue, two
girls were talking about a test, and the phrase “multiple alleles” came up four
times in approximately 30 seconds.
Another thing that is similar
between the two is how the characters in the story jump from thought to thought
with their speech. In one place, the narrator is talking about going to the
county fair and Georgie is taking about going to a church. They both seem to be
having a one-sided conversation, just together (if that makes sense).
In my dialogue, a group of friends
were talking and one of the girl’s boyfriends jumped in with something related
to building her a case for her headphones. It was completely off the wall and
had nothing to do with the conversation at hand.
At the same time, this also
illustrates one of the key differences in the dialogues. In “Emergency,” the
dialogue has a deeper purpose than simply talk. It tells the story, along with
the narrator’s voice. In the transcribed dialogue, while of course the dialogue
is telling a story, it doesn’t have that cohesiveness of a narrator being able
to lead you in the right direction. Instead, you personally are the “narrator”,
but instead of being enlightening, you can just end up really confused.
This is really well done! That story is a perfect example of jumpy dialogue.
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